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Table of contents

First published on Monday, Dec 2, 2024 and last modified on Thursday, Apr 10, 2025 by François Chaplais.

Modern Portfolio Diversification with Arte-Blue Chip Index
arXiv
Published version: 10.48550/arXiv.2409.18816

Simon Levy Institute of Finance & Technology, University College London, UK. Corresponding author. E-Mail

Maxime L. D. Nicolas Institute of Finance & Technology, University College London, UK

Keywords: Blue-chip art, Art investment, Portfolio diversification, Market data

Abstract

This paper presents a novel approach to evaluating blue-chip art as a viable asset class for portfolio diversification. We present the Arte-Blue Chip Index, an index that tracks 100 top-performing artists based on 81,891 public transactions from 157 artists across 584 auction houses over the period 1990 to 2024. By comparing blue-chip art price trends with stock market fluctuations, our index provides insights into the risk and return profile of blue-chip art investments. Our analysis demonstrates that a 20% allocation of blue-chip art in a diversified portfolio enhances risk-adjusted returns by around 20%, while maintaining volatility levels similar to the S&P 500.

1 Introduction

In financial markets, blue-chip stocks are known for their reliability and long-standing performance. Similarly, in the art world, blue-chip art refers to works by significant artists such as Picasso, Warhol, and Richter, whose pieces consistently retain or increase in value. These artists have established auction histories, with individual works often selling for over $500,000.

The stability and resilience of blue-chip art make it appealing, as it often retains or increases its value during economic downturns [9]. The low correlation with traditional financial assets, such as stocks and bonds, makes blue-chip art an attractive option for portfolio diversification [10]. Recent advancements in digital platforms and online auctions have expanded access to blue-chip art, allowing a broader range of investors to engage in the market [11]. This has strengthened its appeal not only for aesthetic appreciation but also as a viable asset class for diversification. However, despite its importance, there is still a lack of focused academic research on the specific role of blue-chip art in investment diversification, as most existing literature addresses the broader art market without isolating this segment.

Previous research has highlighted lower returns and higher volatility for the broader art market [1, 2, 4, 3, 6, 12]. Despite this, blue-chip art, with its stable long-term value and strong market presence, remains underexplored in this area. Moreover, the lack of specific indices to capture blue-chip art performance further exacerbates this gap, leaving investors without a reliable measure of performance for this niche segment of the art market.

To fill this gap, we developed the Arte-Blue Chip Index, which tracks the performance of 100 top-performing blue-chip artists over a 34-year period (1990-2024). This index is built on 81,891 public transactions from 157 artists across 584 auction houses. The index focuses on each artist’s preferred and rarest mediums—primarily paintings and sculptures—while excluding lesser-valued mediums such as works on paper or editions. The index is rebalanced annually to ensure that only the top-performing artists are included based on their auction performance each year. Additionally, we demonstrate the potential of blue-chip art as a stable diversifier in investment portfolios. To address the inherent illiquidity of art, we simulate real-world investment scenarios with flexible entry and exit windows, aligning art investments more closely with public market dynamics.

Our results demonstrate that incorporating blue-chip art into an investment portfolio improves risk-adjusted returns without significantly increasing portfolio volatility. Specifically, a 20% allocation to blue-chip art in a diversified portfolio enhanced returns by around 20%, while maintaining volatility levels comparable to the S&P 500. Additionally, our simulations show that flexible entry and exit points for art investments, when combined with the Arte-Blue Chip Index, provide liquidity solutions that better align art investments with traditional market dynamics.

The estimation of art investment performance has evolved significantly. Early studies, such as those by [1] and [2], used geometric mean returns to estimate art investment performance based on 640 transactions spanning from 1652 to 1961. However, these studies did not account for variations in the quality of artworks. To address this limitation, repeat-sales regression (RSR) techniques were introduced, which use the prices of artworks sold at least twice to control for quality differences. [3] employed this method to construct an art return index using transaction prices from 1715 to 1986, improving the accuracy of performance measures by focusing on repeat sales.

Subsequent work by [4] expanded on this methodology by constructing a new repeat-sales dataset from auction records at the New York Public Library and the Watson Library at the Metropolitan Museum of Art, compiling 4,896 price pairs covering the period from 1875 to 2000. Further refinements came from [5], who analyzed 80,214 repeat sales of modern prints sold at global auctions between 1977 and 2004. They found a modest real return of 1.51% on a diversified portfolio of modern prints, addressing various factors impacting the performance of such investments. [6] broadened the scope by analyzing over one million auction transactions from the Art Sales Index database. They concluded that art investments appreciated at a moderate 3.97% annually in real U.S. dollar terms between 1957 and 2007, providing the most extensive dataset for assessing long-term trends in the art market.

Regarding diversification potential, several studies highlight both the limitations and opportunities of art as an investment. [1] found that art generally underperforms compared to stocks and bonds, offering lower returns and higher volatility, particularly when accounting for illiquidity and high transaction costs. More recent studies, such as the Mei Moses Art Index [4], emphasize art’s potential for diversification, though they confirm that it often underperforms equities.

[6, 7] also found that art can provide diversification benefits due to its low correlation with traditional assets, but they acknowledge the volatility and high costs associated with it. Additionally, [8] compared art with collectibles and concluded that high-value art often yields lower returns, while also overlooking the non-financial rewards of ownership.

Despite these advancements, most studies neglect the specific role of blue-chip art in portfolio diversification, focusing instead on broader segments of the art market like modern prints or contemporary art. This paper fills that gap by introducing the Arte-Blue Chip Index, a data-driven tool that offers a reliable measure of blue-chip art performance. We demonstrate that blue-chip art provides not only aesthetic value but also serves as a stable, long-term investment with clear financial benefits.

The remainder of this paper is organized as follows: Section 2 outlines the data and methods used to construct the Arte-Blue Chip Index. Section 3 presents the empirical results of portfolio optimization and performance simulations. Finally, Section 4 offers conclusions and discusses the implications of our findings for investors and the art market.

2 Data & Methods

We collected data from 584 major auction platforms, including Artsy and Artprice, to ensure comprehensive coverage of market transactions. Our dataset was specifically filtered to include only high-value mediums—primarily paintings and sculptures—traditionally more valuable in the auction market. To maintain consistency in measuring the financial performance of blue-chip artworks, we excluded lower-value mediums such as prints and works on paper. To qualify for inclusion, artists needed at least a decade of auction history, with consistent sales of their works exceeding $500,000 in average. This filtering process produced a final dataset of 81,891 public auction transactions from 157 selected artists, spanning from 1990 to 2024. Each transaction record contained detailed information, including the artwork’s title, medium, artist’s name, auction house, sale date, dimensions (height, width, and area), sale price, pre-sale estimate, and performance relative to the pre-sale estimate.

To standardize prices based on the size of the artwork, we calculated the price per unit area using the provided dimensions. For each artist, we then computed the average normalized price per year. These normalized prices were then combined with the artist’s average artwork areas to estimate actual prices for each year. To assess artist performance, we calculated the average actual prices at both the start and end of the period. From these, we derived performance metrics, including yearly returns and cash-on-cash returns. Additionally, the Internal Rate of Return (IRR) was calculated based on the average transaction prices over the period, and the Multiple of Invested Capital (MOIC) was used to measure the total return on investment.

Performance metrics for the artists are detailed in Table 1 for the investment period from 2005 to 2015, and in Table 2 for the period from 2012 to 2015. To prevent selection bias, we rebalance each year the index to retain up to 100 top-performing artists. For each selected year, artist weights were calculated based on their average prices relative to the total average prices of all artists in the index. For example, Pablo Picasso had the highest weight in 2022 at 13.58%, followed by Andy Warhol at 11.76%. Table 3 provides an example of artist weights for 2022.

For comparison, we aligned our index with the methodology of Artprice’s blue-chip art index, which identifies the 100 top-performing artists over the previous five years, with annual updates. The aggregated optimized performance of our selected artists was compared to their approach.

3 Results

We measured the performance of the art index based on a 680-day moving average which corresponds to the average period in such investment context. We then simulated an investment portfolio with an initial 20/80 allocation between the Arte-Blue Chip Index and the S&P 500.

The results are shown in Figure 1. The inclusion of blue-chip art significantly improved the overall portfolio performance, achieving a higher cumulative return (922.49%) compared to both the S&P 500 (774.41%) and the Arte-Blue Chip Index alone (544.99%). This performance was achieved with relatively low volatility (66.27%) compared to the Arte-Blue Chip Index (145.68%) and only slightly higher than the S&P 500 (60.62%). Additionally, the portfolio’s Sharpe Ratio of 1.49 demonstrates better risk-adjusted returns, indicating more efficient balancing of risk and reward compared to both the S&P 500 and the Arte-Blue Chip Index alone. For the period between 2007 and 2024, we observed an average correlation of 0.51 between the Arte-Blue Chip Index and the S&P 500, ranging from 0.12 in 2007 to 0.75 in 2019.

Cumulative Returns from 1990 to 2024
Figure 1. Cumulative Returns from 1990 to 2024

In Figure 2, we present the average annual returns and observe that with an 80/20 allocation between the S&P 500 and the Arte-Blue Chip Index, increase annual returns. Additionally, the efficient frontier shown in Figure 3 indicates that the optimal risk-adjusted return, with the lowest volatility, is achieved with approximately a 10% allocation to the Arte-Blue Chip Index. Although a 20% allocation yields higher returns, it also increases volatility, making the 10% allocation a more suitable choice for balancing risk and return.

Annual Returns from 1990 to 2024
Figure 2. Annual Returns from 1990 to 2024

Notes: This figure displays the annual returns with an 80/20 S&P 500/Arte-Blue Chip Index allocation, using a 680-day rolling window.

Efficient Frontier
Figure 3. Efficient Frontier

Notes: This figure presents the efficient frontier for various portfolio allocations, based on the risk-free rate and the rolling average for the Arte-Blue Chip Index allocation.

4 Conclusion

Incorporating blue-chip art into investment portfolios offers notable diversification and risk reduction advantages. Our analysis demonstrates that blue-chip art can enhance risk-adjusted returns. Despite challenges such as high transaction costs and market illiquidity, integrating art into a portfolio, as illustrated by our 80/20 with the S&P500 allocation model, has shown superior performance compared to traditional and art-only indices. The combination of high cumulative returns and favourable risk metrics underscores the potential of blue-chip art to contribute positively to diversified investment strategies. Investors looking to diversify beyond traditional assets may find blue-chip art to be a valuable alternative.

Appendix

Table 1 Artists performances 2005 – 2015
ArtistAvg Price Initial ($K)Avg Price Final ($K)IRR (%)Avg MOIC
Robert Ryman35.0016,010.0184.52%457.43
Lee Ufan1.11354.6277.98%318.90
Gunther Forg2.24307.1863.55%136.90
Salvador Dali9.121,212.4563.07%132.93
Ernst Ludwig Kirchner37.742,912.1354.43%77.15
Robert Rauschenberg70.003,090.9546.05%44.16
Cy Twombly388.2412,600.9841.62%32.46
Rudolf Stingel27.47798.9440.07%29.08
Norman Rockwell48.001,360.2739.71%28.34
Christopher Wool203.665,231.6038.35%25.69
Peter Doig324.947,677.2937.20%23.63
Georges Braque84.101,933.5736.82%22.99
Tracey Emin46.67968.8635.43%20.76
Anselm Kiefer33.03678.0635.28%20.53
Paul Signac129.762,616.0435.04%20.16
René Magritte223.123,977.2733.38%17.83
David Hockney500.008,357.0432.53%16.71
Brice Marden214.802,283.0726.66%10.63
Joan Mitchell356.563,131.3924.27%8.78
Robert Longo26.04220.9323.84%8.48
Lucio Fontana437.213,660.2623.67%8.37
Jean Michel Basquiat952.807,431.2522.80%7.80
Yayoi Kusama93.59721.6922.66%7.71
Andy Warhol881.196,598.9522.30%7.49
Henry Moore210.181,553.1622.14%7.39
Francis Picabia94.81640.6221.05%6.76
Henri Matisse659.174,317.9720.68%6.55
Wayne Thiebaud423.482,769.9020.66%6.54
Chu Teh Chun165.47932.7718.88%5.64
Wassily Kandinsky402.562,194.5018.48%5.45
Marc Chagall318.481,530.7717.00%4.81
Zao Wou Ki457.392,142.8416.70%4.68
Helen Frankenthaler150.00682.0416.35%4.55
Dong Qichang76.20344.6916.29%4.52
Jim Dine10.1645.8316.26%4.51
Frank Stella3,181.5814,355.2416.26%4.51
Sam Gilliam8.1536.3716.14%4.46
Mark Rothko6,049.0425,372.1515.42%4.19
Alexander Calder2,955.0512,277.7715.31%4.15
Howard Hodgkin185.93759.9215.12%4.09
Milton Avery134.75548.4315.07%4.07
Pablo Picasso3,034.0112,319.6915.04%4.06
Wu Hufan40.06160.9214.92%4.02
Ed Ruscha321.631,256.6214.60%3.91
George Condo43.65156.8813.65%3.59
Camille Pissarro63.59213.1012.86%3.35
Albert Oehlen177.50587.2012.71%3.31
Gerhard Richter567.961,855.0212.56%3.27
Claude Monet2,384.057,660.7012.38%3.21
Max Ernst385.771,155.4011.59%2.99
Antoni Tapies52.44155.9911.52%2.97
Auguste Rodin88.72260.1711.36%2.93
Lynn Chadwick57.89169.0411.31%2.92
Kees van Dongen382.551,012.9310.23%2.65
Georgia OKeefe471.121,119.619.04%2.38
Jean Dubuffet398.78935.878.91%2.35
Takashi Murakami156.38352.468.47%2.25
Yves Klein615.731,379.628.40%2.24
Richard Prince735.891,638.078.33%2.23
George Mathieu36.4077.767.89%2.14
Alfred Sisley934.391,865.627.16%2.00
Tsuguharu Foujita202.97403.487.11%1.99
Bernard Buffet79.71157.517.05%1.98
Jean-Paul Riopelle162.14317.626.95%1.96
Julian Shnabel110.54215.596.91%1.95
Hans Hofman487.36919.586.56%1.89
Anish Kapoor240.00435.746.15%1.82
Robert Mapplethorpe1,637.262,965.526.12%1.81
Josef Albers175.35317.286.11%1.81
Sam Francis66.47119.856.07%1.80
Willem de Kooning3,734.126,664.695.96%1.78
Tamara de Lempicka196.51342.585.72%1.74
Egon Schiele250.01435.475.71%1.74
Joan Miro2,349.014,083.455.69%1.74
Roberto Matta146.72251.875.55%1.72
Louis Nevelson40.2866.725.18%1.66
George Baselitz637.421,044.775.07%1.64
Franz Kline2,699.634,363.694.92%1.62
Hans Hartung99.87154.914.49%1.55
Antony Gormley531.39814.984.37%1.53
Le Pho25.7738.324.05%1.49
Karel Appel50.5772.223.63%1.43
Tom Wesselman697.36926.302.88%1.33
Camille Pissaro842.741,083.112.54%1.29
Sigmar Polke296.28371.392.29%1.25
Leonor Fini49.5162.052.28%1.25
Nicolas De Stael382.42459.101.84%1.20
Maurice de Vlaminck71.2984.721.74%1.19
Agnes Martin1,300.311,539.001.70%1.18
Giorgio Morandi202.44235.551.53%1.16
Eugene Boudin120.52139.781.49%1.16
Wen Zhengming129.55146.681.25%1.13
Damien Hirst284.87322.331.24%1.13
Giorgio de Chirico162.93183.271.18%1.12
Paul Cezanne7,136.937,959.671.10%1.12
Pierre-Auguste Renoir260.08273.690.51%1.05
Cindy Sherman202.36211.980.47%1.05
Raoul Dufy172.35178.900.37%1.04
Keith Haring155.77155.74-0.00%1.00
Serge Poliakoff186.75182.23-0.24%0.98
Niki de Saint Phalle125.65103.97-1.88%0.83
Table 2 Artists performances 2012 – 2015
Adrian Ghenie13.481,565.00387.80%116.07
David Hockney86.858,357.04358.24%96.22
Peter Doig113.357,677.29307.63%67.73
Robert Rauschenberg114.583,090.95199.91%26.98
Frank Stella535.7714,355.24199.23%26.79
Robert Mapplethorpe114.582,965.52195.80%25.88
Tracey Emin95.88968.86116.19%10.10
Robert Ryman1,650.5016,010.01113.27%9.70
Brice Marden271.792,283.07103.28%8.40
Henry Moore261.681,553.1681.06%5.94
Lynn Chadwick30.30169.0477.36%5.58
Wayne Thiebaud500.112,769.9076.93%5.54
Paul Cezanne1,538.507,959.6772.95%5.17
Kazuo Shiraga214.551,006.2767.39%4.69
Gunther Forg67.61307.1865.62%4.54
Auguste Rodin58.96260.1764.02%4.41
Kenny Scharf7.0929.3960.64%4.15
Ernst Ludwig Kirchner727.032,912.1358.81%4.01
Julian Shnabel56.46215.5956.30%3.82
Andy Warhol2,184.766,598.9544.55%3.02
Takashi Murakami118.97352.4643.63%2.96
Richard Prince553.221,638.0743.60%2.96
Howard Hodgkin272.06759.9240.83%2.79
Lucio Fontana1,479.313,660.2635.25%2.47
Tom Wesselman386.58926.3033.82%2.40
Norman Rockwell575.541,360.2733.20%2.36
Sam Gilliam16.3036.3730.68%2.23
Dong Qichang156.95344.6929.98%2.20
Milton Avery250.78548.4329.80%2.19
Egon Schiele202.12435.4729.16%2.15
Francis Picabia299.15640.6228.90%2.14
Ed Ruscha599.001,256.6228.01%2.10
Alexander Calder6,224.2612,277.7725.41%1.97
Antony Gormley417.33814.9824.99%1.95
Raoul Dufy92.03178.9024.80%1.94
Helen Frankenthaler353.07682.0424.54%1.93
Georges Braque1,009.211,933.5724.20%1.92
Cy Twombly6,587.0712,600.9824.14%1.91
Alfred Sisley976.811,865.6224.07%1.91
Kees van Dongen540.111,012.9323.32%1.88
Cecily Brown601.401,110.9422.70%1.85
Barbara Hepworth62.50115.4222.69%1.85
Albert Oehlen318.63587.2022.60%1.84
Willem de Kooning3,727.756,664.6921.37%1.79
Christopher Wool2,980.265,231.6020.63%1.76
George Baselitz595.631,044.7720.60%1.75
Paul Gauguin1,762.503,050.1920.06%1.73
Tsuguharu Foujita240.91403.4818.76%1.67
Damien Hirst194.30322.3318.38%1.66
Le Pho23.5438.3217.64%1.63
Camille Pissaro694.831,083.1115.95%1.56
Marc Chagall1,002.011,530.7715.17%1.53
Agnes Martin1,028.411,539.0014.38%1.50
Hans Hartung109.10154.9112.40%1.42
Yayoi Kusama532.40721.6910.67%1.36
Pablo Picasso9,369.2812,319.699.55%1.31
Roy Lichtenstein1,616.272,084.188.84%1.29
Bernard Buffet122.69157.518.68%1.28
Roberto Matta200.15251.877.96%1.26
Joan Mitchell2,555.373,131.397.01%1.23
Anish Kapoor356.53435.746.92%1.22
Frank Auerbach316.97363.354.66%1.15
Rudolf Stingel697.37798.944.64%1.15
Zao Wou Ki1,873.002,142.844.59%1.14
Mark Rothko22,291.0725,372.154.41%1.14
Jean-Paul Riopelle281.02317.624.16%1.13
Claude Monet6,945.667,660.703.32%1.10
Josef Albers289.24317.283.13%1.10
Paul Signac2389.702616.043.06%1.09
Chu Teh Chun874.58932.772.17%1.07
Niki de Saint Phalle97.86103.972.04%1.06
Robert Longo209.13220.931.85%1.06
Ayako Rokkaku13.6014.321.73%1.05
Jean Dubuffet918.28935.870.63%1.02
Hans Hofman966.37919.58-1.64%0.95
Wassily Kandinsky2,391.822,194.50-2.83%0.92
Wu Hufan177.64160.92-3.24%0.91
Camille Pissarro239.30213.10-3.79%0.89
Joan Miro4756.814,083.45-4.96%0.86
Leonor Fini74.3562.05-5.85%0.83
Pierre Soulages657.68545.22-6.06%0.83
Louis Nevelson80.7766.72-6.17%0.83
John Chamberlain373.04306.97-6.29%0.82
Robert Motherwell523.79429.02-6.44%0.82
René Magritte4,913.413,977.27-6.80%0.81
Karel Appel89.4072.22-6.86%0.81
Jim Dine57.1845.83-7.11%0.80
Antoni Tapies195.02155.99-7.17%0.80
Henri Matisse5,408.864,317.97-7.23%0.80
Elizabeth Peyton195.32154.95-7.43%0.79
Eugene Boudin182.06139.78-8.43%0.77
Pierre Bonnard736.01536.82-9.98%0.73
Giorgio de Chirico252.39183.27-10.12%0.73
Cindy Sherman305.89211.98-11.51%0.69
Maurice Utrillo139.8196.69-11.57%0.69
Max Ernst1672.181,155.40-11.59%0.69
Jean Michel Basquiat1,0835.597431.25-11.81%0.69
George Mathieu120.5077.76-13.58%0.65
Fernand Leger1,083.30669.83-14.81%0.62
Pierre-Auguste Renoir444.44273.69-14.92%0.62
Bernar Venet200.19119.12-15.89%0.60
Table 3 Artist Weights Arte-Blue Chip 100 Index 2022
ArtistWeight (%)ArtistWeight (%)
Aboudia0.29%Jordan Kerwick0.20%
Alexander Calder6.70%Karel Appel0.28%
Andy Warhol11.76%Kenny Scharf0.61%
Anselm Kiefer1.18%Le Pho0.51%
Arman0.03%Louis Nevelson0.34%
Auguste Rodin1.08%Lucio Fontana6.07%
Ayako Rokkaku0.90%Lynn Chadwick0.48%
Barbara Hepworth2.65%Marc Chagall2.16%
Bernard Buffet0.42%Maurice Utrillo0.16%
Camille Pissarro0.79%Maurice de Vlaminck0.34%
Christo0.25%Max Ernst2.18%
Cindy Sherman0.18%Niki de Saint Phalle0.13%
Damien Hirst1.03%Pablo Picasso13.59%
Elizabeth Peyton0.39%Pierre Bonnard0.71%
Eugene Boudin0.29%Pierre-Auguste Renoir3.17%
Francois-Xavier Lalanne0.65%Raoul Dufy0.30%
George Condo1.27%Richard Serra0.48%
George Mathieu0.74%Roberto Matta0.37%
Gerhard Richter9.19%Sam Gilliam0.03%
Giorgio de Chirico0.31%Shara Hughes2.23%
Gunther Forg0.78%Tom Wesselman0.20%
Hans Hartung0.17%Yayoi Kusama3.22%
Henry Moore2.53%Yves Klein3.59%
Jean Dubuffet3.02%Zao Wou Ki11.13%
Jean Michel Basquiat0.29%

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